
London Jazz Award nomination Dennis Rollins: '.. a new found subtlety and a certain weight that transforms his rich tones into something elegant.'
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| Dec 06 |
The Guardian: “British trombonist Dennis Rollins has been easy to typecast as a skilful pop/jazz brassman devoted to a hard-pumping horn sound that goes back to James Brown's bands. But this fine trio set is a real surprise – not because Rollins' expressive virtuosity was ever in doubt, but because he cuts loose here in the company of Hammond organist Ross Stanley and exciting drummer Pedro Segundo.”
While there's a lot to be said for the groovy good will and charm that is prominent in Dennis Rollins' music, this particular set offers something slightly different to what people might be used to. It's still entirely possible to dance to the music, if you want, but there's also a new found subtlety and a certain weight that transforms his rich tones into something elegant. You get the feeling Rollins is taking this album quite seriously, attempting to showcase his style while respecting his many influences. A noble endeavour, and he still manages to keep the whole thing bouncing along with enough energy and humour as to suggest he's not even trying.
While there's a lot to be said for the groovy good will and charm that is prominent in Dennis Rollins' music, this particular set offers something slightly different to what people might be used to. It's still entirely possible to dance to the music, if you want, but there's also a new found subtlety and a certain weight that transforms his rich tones into something elegant. You get the feeling Rollins is taking this album quite seriously, attempting to showcase his style while respecting his many influences. A noble endeavour, and he still manages to keep the whole thing bouncing along with enough energy and humour as to suggest he's not even trying.
















